The event I'm putting together is on the Titanic Symphony page
The event I'm putting together is on the Titanic Symphony page
The fog horn sounds as the Titanic departs Queenstown, Ireland on her first trans-Atlantic crossing to New York. The first movement captures the majesty of the great ship crossing the Atlantic. It's in the traditional sonata allegro form of a symphony. Towards the end of the first movement, a passenger wandering on the promenade deck hears a faint grinding, which was the sound of the ship scraping against a large iceberg. Most of the passengers didn't even notice this. However, they did notice the sound of the great steam engines slowing down and coming to a halt. Then, the engines started up again, but final orders were given to stop the engines for the last time. The movement ends with the Titanic sitting motionless in the water.
This audio is a short segment of the first movement.
The captain ordered the crew and passengers up to the boat deck where they started loading the lifeboats. The captain asked the band in the first class lounge to play upbeat music to keep the passengers calm. The passengers encountered a somewhat festive gathering as the music wafted up to the boat deck.
The second movement is a recreation of the band as they played in the first class lounge while the crew started loading the lifeboats. This is a segment of the movement.
On her slanted decks, husbands were bidding wives and families farewell, as lifeboats were being lowered into the icy water. Isador Straus, owner of Macy's department store, assisted his wife Ida as she made to lifeboat number eight. She refused to get in, saying, "We've been living together for many years. Where you go, I go." They pulled up deck chairs and sat together side by side in tight embrace, ready to meet death as they had lived their lives: together.
The story of Ida and Isador Straus is one of the most poignant of the Titanic's many tragic stories. Woven into the theme is a sense of the Straus' background, the ragtime optimism of an America which held great promise and success for an emigrant like Straus; though what we hear is a melancholy strain, like something lost, in the final plunge of what was thought to be "unsinkable." For all the sadness of the piece, there is a feeling of warmth for the love between two persons so wedded in life that even death could not part them.
- notes by Mike Caffey.
This is the entire third movement.
I'm asking for donations in order to bring my Titanic Symphony back to one of the major stages in New York City. I will also be conducting my Symphony #6 and giving a virtuoso performance at the piano. My preference is to schedule the event around the anniversary of the Titanic's sinking and, if possible, use the same concert hall as I did the last time.
The budget includes the payroll for a full symphony orchestra with two rehearsals, concert hall rental, promotion and travel and lodging for myself and the producer. My manager has experience at producing concerts at Lincoln Center.
If you can help with a tax deductible donation please follow the link below to my GoFundMe page.
I have not posted any clips of the last movement.
Caption under the picture: Composer Richard Kastle says the rhythm of the sea was vital in the creation of his symphony about the sinking of the Titanic. He wrote the symphony while sitting on Venice Beach.
Beginning of article: Richard Kastle's third symphony is based on the sinking of the Titanic.
"It's a four movement piece that starts out with the ship leaving the dock on its maiden voyage - very Majestic." Kastle says "Of coarse, it it doesn't sink until the last movement."
The rhythm of the sea is vital to this unfinished piece so he composes on the Venice Beach. Tourists in bathing suits stare at the young man hunched over his sheet music.
"That your own hair?" asks a man with a southern drawl.
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